Cult cinema : (Record no. 19381)

MARC details
000 -LEADER
fixed length control field 05186cam a2200553Mi 4500
001 - CONTROL NUMBER
control field ocn792684025
003 - CONTROL NUMBER IDENTIFIER
control field OCoLC
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220701010848.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS--GENERAL INFORMATION
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007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 120430s2012 nju o 000 0 eng d
040 ## - CATALOGING SOURCE
Original cataloging agency EBLCP
Language of cataloging eng
Description conventions pn
Transcribing agency EBLCP
Modifying agency OCLCQ
-- YDXCP
-- DG1
-- UIU
-- OCLCQ
-- OCLCF
-- OCLCQ
-- DEBBG
019 ## -
-- 904073582
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
ISBN 9781444396447
Qualifying information (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
ISBN 1444396447
Qualifying information (electronic bk.)
029 1# - (OCLC)
OCLC library identifier GBVCP
System control number 790037505
029 1# - (OCLC)
OCLC library identifier NLGGC
System control number 38962408X
029 1# - (OCLC)
OCLC library identifier DEBBG
System control number BV043394502
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)792684025
Canceled/invalid control number (OCoLC)904073582
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN1995.9 .C84 M38 2012
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 791.43/653
-- 791.43653
049 ## - LOCAL HOLDINGS (OCLC)
Holding library MAIN
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Mathijs, Ernest.
245 10 - TITLE STATEMENT
Title Cult cinema :
Remainder of title an introduction /
Statement of responsibility, etc Ernest Mathijs and Jamie Sexton.
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc Malden, MA :
Name of publisher, distributor, etc Wiley-Blackwell,
Date of publication, distribution, etc 2011.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (x, 299 pages)
336 ## -
-- text
-- txt
-- rdacontent
337 ## -
-- computer
-- c
-- rdamedia
338 ## -
-- online resource
-- cr
-- rdacarrier
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Cover; Title Page; Copyright; Dedication; List of Figures; Acknowledgments; Introduction; The History of Studying Cult Cinema; Definition of Cult Cinema; Structure of the Book; Part I: Receptions and Debates; Chapter 1: Cult Reception Contexts; Midnight Movies; The Difficulty of Researching Cult Cinema; Cult Cinema as Phenomenal Experience; Cult Cinema as Bad Experience; Cult Cinema as Collective Experience; Cult Cinema as Connected Experience; Cult Cinema as Surplus Experience; Conclusion: Cult as Performance?; Chapter 2: The Cult Cinema Marketplace; Production Culture.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Funding and DistributionMarketing: Causing and Containing Commotion; Exhibition Culture; Piracy; Conclusion; Chapter 3: Prestige, Awards, and Festivals; Awards and Prizes; Festivals and Valuation; Niche Cults and Festivals; Conclusion; Chapter 4: Censorship and Criticism; Censorship and Controversy; Cult Connoisseurship; Surrealist Criticism; Cult Cinephilia and MacMahonism; Fan Criticism; DIY Criticism; Conclusion; Chapter 5: Fandom and Subculture; Fan Studies: Early Approaches; Visible and Performative Fans; Revising Fan Studies; Cultural Capital and Subcultures; Mainstream Cult Fans?
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Conclusion: Recent Trends in Cult FandomChapter 6: The Cult Auteur; The "Romantic" Cult Auteur; The Cult of the Dead Auteur; Self-conscious Cultism and Cult Salesmanship; Female Cult Auteurs; Conclusion; Chapter 7: Cult Stardom; The Cult of the Movie Star; Mainstream Cult Stars; The Cult of Death; Cult Actors; Artificiality and Individuality; Conclusion; Chapter 8: Camp and Paracinema; Camp; Paracinema; Critical Responses to Sconce; Conclusion; Chapter 9: Transgression and Freakery; Taboo; From Taboo to Cult?; Transgression; Freakery; Conclusion: Sick Films; Chapter 10: Gender and Sexuality.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Masculinity, Femininity, and CultAnxieties of Cult Consumption; Non-Normative Sexuality and the Performance of Gender; Erotica and the Performance of Gender; The Performance of Gendered Reception; Hidden Strategies of Cult Enjoyment; Conclusion; Chapter 11: Transnationalism and Orientalism; Orientalism: Curiosity versus Exoticism; The Reception of Asian Cult Cinema; Networks of Exchange: Otaku; Hong Kong Cult Cinema; Anime and J-Horror; Conclusion; Chapter 12: Religion and Utopia; Discourses on Cultism and Religion; The Cult of Dionysus: Wasted Time and the Orgy; Utopianism.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Midnight Movies and SatanismContemporary Performances of Religious Cultism; Conclusion; Part II: Themes and Genres; Chapter 13: Exploitation and B Movies; B Movies and Classical Exploitation; Teenpics and Youth Culture; Nasty Trash: Exploitation in the 1970s; Exploitation in the Video Era; Conclusion; Chapter 14: Underground and Avant-garde Cinema; Cult and the Avant-garde of the 1920s; The American Underground of the 1950s and 1960s; Underground Goes Overground: The Midnight Movie; The Underground Today; Chapter 15: Cult Cinema and Drugs; Cult Movies and Drug Depiction.
500 ## - GENERAL NOTE
General note Counterculture, Drugs and the "Head" Film.
520 ## - SUMMARY, ETC.
Summary, etc Cult Cinema: an Introduction presents the first in-depth academic examination of all aspects of the field of cult cinema, including audiences, genres, and theoretical perspectives. Represents the first exhaustive introduction to cult cinemaOffers a scholarly treatment of a hotly contested topic at the center of current academic debateCovers audience reactions, aesthetics, genres, theories of cult cinema, as well as historical insights into the topic.
588 0# -
-- Print version record.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Cult films
General subdivision History and criticism.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Cult films.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Sensationalism in motion pictures.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Fine Arts.
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Cult films.
Source of heading or term fast
-- (OCoLC)fst01744415
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
655 #7 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Criticism, interpretation, etc.
Source of term fast
-- (OCoLC)fst01411635
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Sexton, Jamie.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Display text Print version:
Main entry heading Mathijs, Ernest.
Title Cult Cinema.
Place, publisher, and date of publication Hoboken : John Wiley & Sons, ©2012
International Standard Book Number 9781405173735
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="http://dx.doi.org/10.1002/9781444396447">http://dx.doi.org/10.1002/9781444396447</a>
Public note Wiley Online Library
994 ## -
-- 92
-- DG1

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