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Handbook of digital forensics of multimedia data and devices / Anthony T. S. Ho and Shujun Li, Department of Computing and Surrey Centre for Cyber Security (SCCs), University of Surrey, UK.

By: Material type: TextTextPublisher: Hoboken : Wiley, 2015Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781118705773
  • 1118705777
  • 9781118705780
  • 1118705785
Subject(s): Genre/Form: Additional physical formats: Print version:: Handbook of digital forensics of multimedia data and devicesDDC classification:
  • 363.25/62 23
LOC classification:
  • HV8073
Online resources:
Contents:
Title page; Table of Contents; List of Contributors; Foreword; Preface; Acknowledgements; About the Website; Part One: Multimedia Evidence Handling; 1 Digital Forensics Laboratories in Operation; 1.1 Introduction; 1.2 Digital and Electronics Forensic Service, Metropolitan Police Service, UK; 1.3 Digital Forensics Team (Including Affiliated AV Team), Surrey Police, UK; 1.4 Shanghai Stars Digital Forensic Centre, Third Research Institute of China's Ministry of Public Security; 1.5 Discussions; 1.6 Summary
1.A Appendix: Questionnaires for Interviewing Surrey Police and Shanghai Stars Digital Forensic CentreReferences; 2 Standards and Best Practices in Digital and Multimedia Forensics; 2.1 Introduction; 2.2 Overview; 2.3 Electronic Evidence and Digital Forensics; 2.4 Multimedia Evidence and Multimedia Forensics; 2.5 Digital Forensics Laboratory Accreditation; 2.6 General Quality Assurance (Management); 2.7 Training, Education and Certification on Digital and Multimedia Forensics; 2.8 Conclusions; Acknowledgements; References; 3 A Machine Learning-Based Approach to Digital Triage
3.1 Introduction3.2 Related Work on Digital Triage; 3.3 A Machine Learning-Based Digital Triage Framework; 3.4 A Child Pornography Exchange Case Study; 3.5 Conclusion; 3.6 Challenges and Future Directions for the Digital Forensics Community; Acknowledgements; References; 4 Forensic Authentication of Digital Audio and Video Files; 4.1 Introduction; 4.2 Examination Requests and Submitted Evidence; 4.3 Laboratory Space; 4.4 Laboratory Software and Equipment; 4.5 Audio/Video Authentication Examinations; 4.6 Preparation of Work Notes and Laboratory Reports; 4.7 Expert Testimony; 4.8 Case Examples
4.9 DiscussionReferences; Part Two: Digital Evidence Extraction; 5 Photogrammetry in Digital Forensics; 5.1 Introduction; 5.2 Different Methods; 5.3 Measurement Uncertainty; 5.4 Case Studies; 5.5 3D Modelling/Scenario Testing; 5.6 Summary; References; 6 Advanced Multimedia File Carving; 6.1 Introduction; 6.2 Digtal Data Storage; 6.3 File Carving of Binary Data; 6.4 Multimedia Data Structures; 6.5 File Carving of Multimedia Data; 6.6 Content Identification; 6.7 File Carving Frameworks; 6.8 Conclusions; Acknowledgements; References; 7 On Forensic Use of Biometrics; 7.1 Introduction
7.2 Biometrics Performance Metrics7.3 Face: The Natural Means for Human Recognition; 7.4 Ears as a Means of Forensic Identification; 7.5 Conclusions; References; 8 Multimedia Analytics for Image Collection Forensics; 8.1 Introduction; 8.2 Data and Tasks; 8.3 Multimedia Analysis; 8.4 Visual Analytics Processes; 8.5 ChronoBrowser; 8.6 MediaTable; 8.7 An Example Scenario; 8.8 Future Outlook; References; Part Three: Multimedia Device and Source Forensics; 9 Forensic Camera Model Identification; 9.1 Introduction; 9.2 Forensic Source Identification; 9.3 Digital Camera Model Identification
Summary: "Focuses on the interface between digital forensics and multimedia forensics, bringing two closely related fields of forensic expertise together to identify and understand the current state-of-the-art in digital forensic investigation"-- Provided by publisher.
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"Focuses on the interface between digital forensics and multimedia forensics, bringing two closely related fields of forensic expertise together to identify and understand the current state-of-the-art in digital forensic investigation"-- Provided by publisher.

Includes bibliographical references and index.

Description based on print version record and CIP data provided by publisher; resource not viewed.

Title page; Table of Contents; List of Contributors; Foreword; Preface; Acknowledgements; About the Website; Part One: Multimedia Evidence Handling; 1 Digital Forensics Laboratories in Operation; 1.1 Introduction; 1.2 Digital and Electronics Forensic Service, Metropolitan Police Service, UK; 1.3 Digital Forensics Team (Including Affiliated AV Team), Surrey Police, UK; 1.4 Shanghai Stars Digital Forensic Centre, Third Research Institute of China's Ministry of Public Security; 1.5 Discussions; 1.6 Summary

1.A Appendix: Questionnaires for Interviewing Surrey Police and Shanghai Stars Digital Forensic CentreReferences; 2 Standards and Best Practices in Digital and Multimedia Forensics; 2.1 Introduction; 2.2 Overview; 2.3 Electronic Evidence and Digital Forensics; 2.4 Multimedia Evidence and Multimedia Forensics; 2.5 Digital Forensics Laboratory Accreditation; 2.6 General Quality Assurance (Management); 2.7 Training, Education and Certification on Digital and Multimedia Forensics; 2.8 Conclusions; Acknowledgements; References; 3 A Machine Learning-Based Approach to Digital Triage

3.1 Introduction3.2 Related Work on Digital Triage; 3.3 A Machine Learning-Based Digital Triage Framework; 3.4 A Child Pornography Exchange Case Study; 3.5 Conclusion; 3.6 Challenges and Future Directions for the Digital Forensics Community; Acknowledgements; References; 4 Forensic Authentication of Digital Audio and Video Files; 4.1 Introduction; 4.2 Examination Requests and Submitted Evidence; 4.3 Laboratory Space; 4.4 Laboratory Software and Equipment; 4.5 Audio/Video Authentication Examinations; 4.6 Preparation of Work Notes and Laboratory Reports; 4.7 Expert Testimony; 4.8 Case Examples

4.9 DiscussionReferences; Part Two: Digital Evidence Extraction; 5 Photogrammetry in Digital Forensics; 5.1 Introduction; 5.2 Different Methods; 5.3 Measurement Uncertainty; 5.4 Case Studies; 5.5 3D Modelling/Scenario Testing; 5.6 Summary; References; 6 Advanced Multimedia File Carving; 6.1 Introduction; 6.2 Digtal Data Storage; 6.3 File Carving of Binary Data; 6.4 Multimedia Data Structures; 6.5 File Carving of Multimedia Data; 6.6 Content Identification; 6.7 File Carving Frameworks; 6.8 Conclusions; Acknowledgements; References; 7 On Forensic Use of Biometrics; 7.1 Introduction

7.2 Biometrics Performance Metrics7.3 Face: The Natural Means for Human Recognition; 7.4 Ears as a Means of Forensic Identification; 7.5 Conclusions; References; 8 Multimedia Analytics for Image Collection Forensics; 8.1 Introduction; 8.2 Data and Tasks; 8.3 Multimedia Analysis; 8.4 Visual Analytics Processes; 8.5 ChronoBrowser; 8.6 MediaTable; 8.7 An Example Scenario; 8.8 Future Outlook; References; Part Three: Multimedia Device and Source Forensics; 9 Forensic Camera Model Identification; 9.1 Introduction; 9.2 Forensic Source Identification; 9.3 Digital Camera Model Identification