Model city Pyongyang / Cristiano Bianchi, Kristina Drapic ; foreword by Pico Iyer ; in collaboration with Koryo Studio.
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Item type | Current library | Collection | Call number | Vol info | Copy number | Status | Date due | Barcode | Item holds |
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Window on Korea | Non-fiction | 951.9305 B577m (Browse shelf(Opens below)) | 2019 | 01 | Available | WOK000395 |
Browsing Library, Independent University, Bangladesh (IUB) shelves, Shelving location: Window on Korea, Collection: Non-fiction Close shelf browser (Hides shelf browser)
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951.93043 D629 The DMZ : dividing two Koreas / | 951.93043 K842 Korean Ceramics : the Beauty of Natural Forms / | 951.93043 L289n North of the DMZ : essays on daily life in North Korea / | 951.9305 B577m Model city Pyongyang / | 951.9305 H353h The hidden people of North Korea : everyday life in the hermit kingdom / | 951.9305 L289r The Real North Korea : Life and Politics in the Failed Stalinist Utopia / | 951.9305 W141i Inside North Korea / |
Many "model" cities, both imagined and physical, have existed throughout history; from the ideal cities of the Renaissance, Urbino, Pienza and Ferrara, to modernist utopias, such as Brasilia or Chandigarh. North Korea's Pyongyang, however, is arguably unique. Entirely rebuilt following the Korean War (1950-53), the city was planned and fully implemented to model a single ideological vision - a guide for an entire state. As a result, the urban fabric of Pyongyang displays an extraordinary architectural cohesion and narrative, artfully captured in the pages of this book. In recent years, many of Pyongyang's buildings have been redeveloped to remove interior features or to render facades unrecognizable. From the city's monumental axes to its symbolic sports halls and experimental housing concepts, this timely book offers comprehensive visual access to Pyongyang's restricted buildings, which still preserve the DPRK's original vision for a city designed "for the people". Often kitsch, colourful and dramatic, Pyongyang's architecture can be reminiscent of the aesthetic of a Wes Anderson film, where it is difficult to distinguish between reality and theatre. Reflecting a culture that has carefully crafted its own narrative, the backdrop of each photograph has been replaced with a colour gradient, evoking the idealized pastel skies of the country's propaganda posters.