000			05885cam a2200841 i 4500
001			ocn932302752
003			OCoLC
005			20230823094943.0
006			m o d
007			cr |||||||||||
008			151214s2016 enk ob 001 0 eng
010			_a 2015048991
040			_aDLC _beng _erda _cDLC _dOCLCF _dN$T _dDG1 _dYDXCP _dCOO _dYDX _dKSU _dDG1 _dCREDO _dQGK _dDG1
019			_a958096775 _a958392317 _a962887140 _a965182278 _a973053969 _a973057202
020			_a9781118501221 _qelectronic bk.
020			_a1118501225 _qelectronic bk.
020			_z9781118501207
020			_z1118501209
020			_z9781118501252
020			_z111850125X
020			_z9781118501269 (cloth)
020			_a1118501268 (cloth)
020			_a9781118501269 (cloth)
024	7		_a10.1002/9781118501221 _2doi
035			_a(OCoLC)932302752 _z(OCoLC)958096775 _z(OCoLC)958392317 _z(OCoLC)962887140 _z(OCoLC)965182278 _z(OCoLC)973053969 _z(OCoLC)973057202
042			_apcc
043			_ae-uk-en
050	0	0	_aPR2991
072		7	_aDRA _x003000 _2bisacsh
082	0	0	_a822.3/3 _223
049			_aMAIN
245	0	2	_aA feminist companion to Shakespeare.
250			_aSecond edition / _bedited by Dympna Callaghan.
264		1	_aChichester, West Sussex : _bJohn Wiley & Sons Inc., _c2016.
300			_a1 online resource.
336			_atext _2rdacontent
337			_acomputer _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aBlackwell companions to literature and culture ; _v97
504			_aIncludes bibliographical references and index.
588			_aDescription based on print version record and CIP data provided by publisher.
505	0		_aNotes on contributors -- Preface to the second edition -- Introduction -- Part I. The history of feminist Shakespeare criticism: 1. The ladies' Shakespeare; 2. Margaret Cavendish, Shakespeare critic; 3. Misogyny is everywhere -- Part II. Text and language: 4. Feminist editing and the body of the text; 5. "Made to write 'whore' upon?" Male and female use of the word "whore" in Shakespeare's canon; 6. "A word, sweet Lucrece" confession, feminism, and The Rape of Lucrece -- Part III. Social economies: 7. Gender, class, and the ideology of comic form Much Ado about Nothing and Twelfth Night; 8. Gendered "gifts" in Shakespeare's Belmont: the economies of exchange in early modern England -- Part IV. The great Indian vanishing trick / colonialism, property, and the family in A Midsummer Night's Dream: 9. Race and colonialism; 10. Black ram, white ewe: Shakespeare, race, and women; 11. Sycorax in Algiers: cultural politics and gynecology in early modern England; 12. Black and white, and dread all over: the Shakespeare Theatre's "Photonegative" Othello and the body of Desdemona -- Part V. Performing sexuality: 13. Women and boys playing Shakespeare; 15. Lovesickness, gender, and subjectivity: Twelfth Night and As You Like It; 17. Duncan's corpse -- Part VI. Religion: 18. Others and lovers in The Merchant of Venice; 19. Between idolatry and astrology: modes of temporal repetition in Romeo and Juliet
505	8		_aPart VII. Character, genre, history: 20. Putting on the destined livery: Isabella, Cressida and our virgin/whore obsession; 21. The virginity dialogue in All's Well That Ends Well: feminism, editing, and adaptation; 22. Competitive mourning and female agency in Richard III; 23. Bearing death in The Winter's Tale; 24. Monarchs who cry: the gendered politics of weeping in the English history play; 25. Shakespeare's women and the crisis of beauty -- Part VIII. Appropriating women, appropriating Shakespeare: 26. Women and land: Henry VIII; 27. Desdemona: Toni Morrison's response to Othello; 28. Woman-crafted Shakespeares: appropriation, intermediality, and womanist aesthetics; 29. A thousand voices: performing Ariel.
520	3		_aThe question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken in the dynamic and newly updated edition of A Feminist Companion to Shakespeare.
590			_aJohn Wiley and Sons _bWiley Online Library All Obooks
600	1	0	_aShakespeare, William, _d1564-1616 _xCriticism and interpretation.
600	1	0	_aShakespeare, William, _d1564-1616 _xCharacters _xWomen.
600	1	0	_aShakespeare, William, _d1564-1616 _xPolitical and social views.
600	1	7	_aShakespeare, William, _d1564-1616. _2fast _0(OCoLC)fst00029048
650		0	_aFeminism and literature _zEngland _xHistory _y16th century.
650		0	_aFeminism and literature _zEngland _xHistory _y17th century.
650		0	_aWomen and literature _zEngland _xHistory _y16th century.
650		0	_aWomen and literature _zEngland _xHistory _y17th century.
650		0	_aSex role in literature.
650		0	_aWomen in literature.
650		7	_aFeminism and literature. _2fast _0(OCoLC)fst00922735
650		7	_aPolitical and social views. _2fast _0(OCoLC)fst01353986
650		7	_aSex role in literature. _2fast _0(OCoLC)fst01114649
650		7	_aWomen and literature. _2fast _0(OCoLC)fst01177093
650		7	_aWomen in literature. _2fast _0(OCoLC)fst01177912
651		7	_aEngland. _2fast _0(OCoLC)fst01219920
650		7	_aDRAMA / English, Irish, Scottish, Welsh _2bisacsh
648		7	_a1500-1699 _2fast
655		7	_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635
655		7	_aHistory. _2fast _0(OCoLC)fst01411628
655		4	_aElectronic books.
700	1		_aCallaghan, Dympna, _eeditor.
776	0	8	_iPrint version: _tFeminist companion to Shakespeare. _bSecond edition / edited by Dympna Callaghan. _dChichester, West Sussex : John Wiley & Sons Inc., 2016 _z9781118501269 _w(DLC) 2015047277
830		0	_aBlackwell companions to literature and culture ; _v97.
856	4	0	_uhttp://dx.doi.org/10.1002/9781118501221 _zWiley Online Library
994			_a92 _bDG1
999			_c19841 _d19800
526			_beng