| 000 | 02470cam a2200265 i 4500 | ||
|---|---|---|---|
| 001 | 53913 | ||
| 003 | BD-DhIUB | ||
| 005 | 20230914141201.0 | ||
| 008 | 180914s2019 mdu b 001 0 eng | ||
| 020 |
_a9781498548823 _qhardcover ; _qalkaline paper |
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| 020 |
_z9781498548830 _qelectronic book |
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| 020 | _z9781498548847 | ||
| 040 | _cBD-DhIUB | ||
| 082 | 0 | 0 |
_223 _a306.4842409519 _bK491f |
| 100 | 0 |
_aKim, Gooyong, _eauthor. |
|
| 245 | 1 | 0 |
_aFrom factory girls to K-pop idol girls : _bcultural politics of developmentalism, patriarchy, and neoliberalism in South Korea's popular music industry / _cGooyong Kim. |
| 264 | 1 |
_aLanham, Maryland : _bLexington Books, _cc2019. |
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| 300 |
_a153 p. ; _c24 cm. |
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| 490 | 1 | _aFor the record: Lexington studies in rock and popular music | |
| 504 | _aIncludes bibliographical references and index. | ||
| 520 | _aFocusing on female idols' proliferation in the South Korean popular music (K-pop) industry since the late 1990s, Gooyong Kim critically analyzes structural conditions of possibilities in contemporary popular music from production to consumption. Kim contextualizes the success of K-pop within Korea's development trajectories, scrutinizing how a formula of developments from the country' rapid industrial modernization (1960s-1980s) was updated and re-applied in the K-pop industry when the state had to implement a series of neoliberal reformations mandated by the IMF. To that end, applying Michel Foucault's discussion on governmentality, a biopolitical dimension of neoliberalism, Kim argues how the regime of free market capitalism updates and reproduces itself by 1) forming a strategic alliance of interests with the state, and 2) using popular culture to facilitate individuals' subjectification and subjectivation processes to become neoliberal agents. As to an importance of K-pop female idols, Kim indicates a sustained utility/legacy of the nation's century-long patriarchy in a neoliberal development agenda. Young female talents have been mobilized and deployed in the neoliberal culture industry in a similar way to how un-wed, obedient female workers were exploited and disposed on the sweatshop factory floors to sustain the state's export-oriented, labor-intensive manufacturing industry policy during its rapid developmental stage decades ago. | ||
| 650 | 0 |
_aPopular music _zKorea (South) _xHistory and criticism. |
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| 650 | 0 |
_aPopular music _xSocial aspects _zKorea (South) |
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| 942 |
_2ddc _cBK _n0 |
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| 999 |
_c53913 _d53872 |
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