000 | 01557cam a2200253 i 4500 | ||
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001 | 54333 | ||
003 | BD-DhIUB | ||
005 | 20230914141214.0 | ||
008 | 180713s2018 ctua b 001 0 eng | ||
020 |
_a9780819577054 _qhardcover _qalkaline paper |
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020 |
_a9780819577061 _qpaperback _qalkaline paper |
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040 | _cBD-DhIUB | ||
082 | 0 | 0 |
_223 _a784.68162957 _bL4771d |
100 | 0 |
_aLee, Katherine In-Young, _eauthor. |
|
245 | 1 | 0 |
_aDynamic Korea and rhythmic form / _cKatherine In-Young Lee. |
264 | 1 |
_aMiddletown : _bWesleyan University Press, _cc2018. |
|
300 |
_a195 p.: _bill. ; _c24 cm. |
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490 | 1 | _aMusic/culture | |
504 | _aIncludes bibliographical references and index. | ||
520 | _ahe South Korean percussion genre, samul nori, is a world phenomenon whose rhythmic form is the key to its popularity and mobility. Based on both ethnographic research and close formal analysis, author Katherine In-Young Lee focuses on the kinetic experience of samul nori, drawing out the concept of dynamism to show its historical, philosophical, and pedagogical dimensions. Breaking with traditional approaches to the study of world music that privilege political, economic, institutional, or ideological analytical frameworks, Lee argues that because rhythmic forms are experienced on a somatic level, they swiftly move beyond national boundaries and provide sites for cross-cultural interaction. | ||
650 | 0 |
_aSamul nori (Music) _xHistory and criticism. |
|
650 | 0 |
_aPercussion ensembles _zKorea (South) _xHistory and criticism. |
|
942 |
_2ddc _cBK _n0 |
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999 |
_c54333 _d54292 |