000			02803cam a22002778i 4500
001			56788
003			BD-DhIUB
005			20240227205844.0
008			200615s2020 msu b 001 0 eng
020			_a9781496830098 _q(hardback)
020			_a9781496830104 _q(trade paperback)
020			_z9781496830111 _q(epub)
020			_z9781496830128 _q(epub)
020			_z9781496830135 _q(pdf)
040			_cBD-DhIUB _aBD-DhIUB _dBD-DhIUB
082	0	0	_223 _a781.63 _bAn233
100	1		_aAnderson, Crystal S., _eauthor.
245	1	0	_aSoul in Seoul : _bAfrican-American popular music and K-pop / _cCrystal S. Anderson.
300			_a188 p. ; _c24 cm.
504			_aIncludes bibliographical references and index.
505	0		_aAcknowledgements -- Introduction -- "Listen to the music": African-American popular music and K-pop -- "A song calling for you": Korean pop groups -- "Soul breeze": Korean R&B groups and soloists -- "Rewriting the résumé": mainstream Korean hip-hop artists -- Conclusion -- Discography -- References -- Index.
520			_a"K-pop reigns as one of the most popular music genres in the world today, a phenomenon that appeals to listeners of all ages and nationalities. In Soul in Seoul: Black Popular Music and K-pop, Crystal Anderson examines the most important and often overlooked aspect of K-pop: the music itself. She demonstrates how contemporary Korean popular music (K-pop) references and incorporates musical and performative elements of African American popular music culture as well as the ways that fans outside of Korea understand these references. K-pop emerged in the 1990s with immediate global aspirations, combining musical elements from Korean and foreign cultures, particularly rhythm and blues genres of black American popular music. Korean solo artists and groups borrow from and cite instrumentation and vocals of R&B genres, especially hip hop. They also enhance the R&B tradition by utilizing Korean musical strategies. These musical citational practices are deemed authentic by global fans, who function as part of K-pop's music press and promotional apparatus. K-pop artists also cite elements of African American performance in Korean music videos. These disrupt stereotyped representations of Asian and African American performers. Through this process K-pop has arguably become a branch of a global R&B tradition. Anderson argues that Korean pop groups participate in that tradition through cultural work that enacts a global form of crossover and by maintaining forms of authenticity that cannot be faked, and furthermore propel the R&B tradition beyond the black-white binary"--
650		0	_aPopular music _zKorea (South) _xAfrican American influences.
650		0	_aPopular music _zKorea (South) _xHistory and criticism.
942			_2ddc _cBK _n0
999			_c56788 _d56747